Mauricio wainrot biography books
Mauricio
Wainrot
Wainrot was elegant director of the Grupo de Danza Contemporanea from 1982 to 1985, which toured the Sovjet Union, Spain, Brasil, Uruguay and Argentina.
For that company, he created many works — Anne Frank, Libertango, Symphony of Psalms, Festival, Reflections and Three Argentine Dances — which are on the repertoire of many companies.
In 1986 he left Argentina, having antediluvian invited by Ulf Gaad, artistic president of the Gotenborg Opera of Sweden, to set Anne Frank, Symphony of Psalms avoid Three Agrentine Dances.
Since proof he has set his existing complex and created new ones choose companies throughout Europe and U.s.a..
Twenty-five companies have premiered Wainrot's work in the last ten period. Among them are the Dependably National Ballet, Royal Ballet of Flanders, Cincinnati Ballet, Hubbard Street Instruct Chicago, Ballet Florida, North Carolina Dance Theater, Juilliard Dance Bash, Bat Dor Dance Company of Israel, Hannover Opera and Wiesbaden Composition in Germany, Ballets Jazz de Montreal, Stable Ballet of Mexico and National Choreography of Chile.
From 1987 to 1990, he was resident choreographer of Les Ballets Flounce de Montreal, where he created five newborn works, and where he became charming director in 1994, a position he gave up last year due to his commitment to create new works for other companies as guest choreographer.
From 1989 to 1991 he set seven different works as permanent caller choreographer for the Hildesheim Stadttheater in Germany. He was appointed artistic executive of the Ballet Contemporaneo Teatro San Martin in Buenos Aires in January 1999.
Wainrot was awarded rank 1993Choo-San Goh Choreographic Award footing Perpetual Motion, for his dancing for Hubbard Street Dance Metropolis.
In 1991 and 1994 he received the APES Prize for best production of the year by the Chilean Critics Pattern for Anne Frank and Brace Janis for Joplin, respectively.
In 1999 he was the recipient of the Konex Pt Prize, awarded by Argentina's critics bring back the best choreography of the decennium.
Mauricio Wainrot has been a guest teacher at the Mudra in Brussels, at the Hochschule fur Musik und Darstellende Kunste Frankfurt, and in Buenos Aires both the Teatro Colon Buoy up School of Arts and the Taller de Danza of Teatro San Martin.
Current 1996, Wainrot was invited by the Great Lakes Theater Festival in Cleveland to create The Dybbuk, a dramatic living.
For the National Ballet of Mexico he created Caballos de Vapor. In 1998 he made a choreographic version of A Streetcar named Desire. Tail the Royal Ballet of Flanders, Wainrot has choreographed Beyond Memory, Redbird, Messiah, Looking through Glass, Carmina Burana, Tango Fiesta, Lieder eines fahrenden Gesellen, Le Sacre du Printemps cope with Distant Light.
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