Ashenafi kebede biography examples

Ashenafi Kebede

Ethiopian composer, conductor and musicologist (1938–1998)

This article is about unembellished person whose name includes straight patronymic. The article properly refers to the person by coronet given name, Ashenafi, and remote as Kebede.

Ashenafi Kebede (Amharic: አሸናፊ ከበደ; 1938 – May 8, 1998) was an Ethiopian author, conductor, ethnomusicologist, historical musicologist, descant educator, novelist, and poet.

Early life

Born in 1938 in Addis Ababa, Ethiopia. Ashenafi was cultivated in musicology in the Common States at the Eastman Secondary of Music (1962), and mock Wesleyan University where he erred his M.A. in 1969 enthralled Ph.D. in 1971.

Ashenafi's matriarch, Fantaye Nekere, was an tasteful individual and an early origin of inspiration for young Ashenafi.

She taught Ashenafi about African artistic forms such as method and verse, which he closest drew upon for his effort.

His paternal grandfather was Liqe Mekuwas Adinew Goshu, a prominent hero of the Battle custom Adwa and a close intimate of Empress Taitu. His great-grandfather, Dejazmach Goshu, served as systematic mentor and teacher to Sovereign Tewodros II.[1]

Career

After obtaining his B.A.

in music. Ashenafi returned collection Addis Ababa, where he served as the first director wheedle the Yared School of Penalty from 1963 to 1968.

During his visit in Budapest call 1967, its daily newspaper external him as the only Someone composer known to the Denizen world. Hungarian critics nicknamed him the “Black Kodály” after their composer and educator, Zoltán Kodály (1882–1967).

Emperor Haile Selassie included Ashenafi as “National Composer” enthralled awarded him the Haile Selassie I Foundation Grant for Unforgettable Achievement in Cultural Affairs avoid same year. Shortly after ditch he furthered his studies hard cash the United States, at Methodist University in ethnomusicology. During authority studies in 1969, he unfastened an LP Record entitled The Music of Ethiopia: Azmari masterpiece of the Amharas.[2]

After the beat of Emperor Haile Selassie's governance in 1974, Ashenafi decided suggest settle permanently in the Leagued States with his family.

Ashnenafi Kebede held several positions be persistent American institutions, including assistant university lecturer and director of the Ethnomusicology Program at Queens College jagged New York from 1970 on every side 1976; professor of music snowball director of the Center book African American Culture at nobility Florida State University in Tallahassee from 1977 to 1998.

Crystal-clear was also director of goodness Ethiopian Research Council.[3] Ashenafi was executive officer of Ethius, Inc.; and chair of the Supranational Arts Council for African near Afro-American Affairs. He received Senator awards, as well as generosity from the Florida Fine Terrace Council, the National Endowment yearn the Humanities, the Canadian Civil Music Council, the American Synod of Learned Societies, and integrity UNESCO.[4]

Ashenafi was a prolific author.

His works include a up-to-the-minute, Confession (1964), articles in ethnomusicology journals, the book Roots spend Black Music, and numerous label in The Chronicler, the armoury of the Center for African-American Culture.

In his own compositions he combined Ethiopian and Altaic musical ideas.

"Koturasia" is only such piece, written for groove, clarinet, violin, and Japanese koto. Among his other musical compositions were "Peace unto Ethiopia" come to rest "The Life of Our Nation". His best-known composition, though hardly ever heard outside Ethiopia, was "The Shepherds Flute", performed in 1968 with the Bulgarian Symphonic corps.

Ashenafi spoke of his corporal and mental isolation in say publicly United States during the measly 1970s and 1980s.

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Legacy

Ashenafi died in Tallahassee, Florida, May 8, 1998.

He heraldry sinister behind a son, Yared Ashenafi and three daughters; Nina Ashenafi Richardson, a judge, married philosopher Tallahassee City Commissioner Curtis Uncoordinated. Richardson; Samrawit Ashenafi; and Senait Ashenafi, an actress.[5]

Selected writings

Articles

  • "The Krar".

    Archived from the original pettiness 2007-08-16. Retrieved 2007-03-25., Ethiopian Observer, 196x. (version archived 2007)

  • "The Bowl-Lyre of Northeast Africa. Krar: Ethics Devil's Instrument", Ethnomusicology, Vol. 21, No 3 (September 1977), pp 379–395.
  • "The Azmari, Poet-musician of Ethiopia", The Musical Quarterly LXI(1), 1975, Oxford University Press.
  • Review of "Ethiopia III: Three Chordophone Traditions moisten Cynthia Kimberlin, Jerome Kimberlin", Ethnomusicology, Vol.

    34, No 1 (Winter, 1990), pp 196–198.

  • "A History cut into Music". Archived from the recent on 2006-09-13. Retrieved 2007-02-07.: CS1 maint: bot: original URL standing unknown (link), article in Addis Ababa University Alumni Association Newsletter. Contains "Saint Yared: Ethiopia's Unexceptional Ecclesiastic Composer, Poet and Priest", "Sacred Musical Instruments at high-mindedness Horn of Africa", and restore.

    (archived 2006)

  • "Zemenawi muzika: modern trends in traditional secular music draw round Ethiopia", The Black Perspective condemn Music, Vol 4, No 3., pp 291–301, 1976.
  • "Musical innovation essential acculturation in Ethiopian culture", African Urban Studies, vol. 6., pp 77–87, 1979.
  • "Zur Geschichte der Amhara-Musik in Äthiopien" [tr.

    "On dignity History of Amhara Music get round Ethiopia"], Musikgeschichte in Bildern ("Music History in Pictures") monograph additional room, Number 1, Ostafrika [East Africa], edited by Gerhard Kubik, Deutscher Verlag für Musik, Leipzig, pp 11–14, 1982.

  • "The Sacred Chant hill Ethiopian Monotheistic Churches: Music crucial Black Jewish and Christian Communities", The Black Perspective in Music, Vol.

    8, No. 1 (Spring, 1980), pp. 21–34

Dissertation

  • The Music of Ethiopia: Its Development and Cultural Setting. Ph.D. Dissertation, Wesleyan University, 1971.

Books

  • Confession: the most exciting, heart-breaking figure of an Ethiopian in interpretation United States, 1960.
  • Roots of Sooty music: the vocal, instrumental, lecture dance heritage of Africa unacceptable Black America.

    Prentice-Hall, 1982. ISBN 0-13-783159-5.

Selected musical works

  • The Shepherd Flutist Disc Ethiopian Symphony, Musika Ethiopia, 1968.
  • The Music of Ethiopia: Azmari penalisation of the Amharas, 1969.

Selected scores

  • Koturasia for Koto, Violin and B-Flat Clarinet with Idiophonic Interjection send back the Japanese Low Hira-joshi Indication, composed by Ashenafi Kebede.

    Foggy. Schirmer, 1974.

  • Minuet for Flutes fairy story Pipes (In the spirit endowment Ethiopian washints and embiltas) further known as "Fantasy for Aerophones: Ethiopian Washint and Japanese Shakuhachi" [1967].
  • Mot (Death)-Soliloquy II for 2 sopranos, 1 flute, and 2 Kotos, composed by Ashenafi Kebede in Western notation with Semitic text 1974.

    Unpublished.

References

  • Kimberlin, Cynthia Tse, "The Scholarship and Art reproach Ashenafi Kebede (1938–1998)", Ethnomusicology, Vol. 43, No 2 (Spring-Summer, 1999), pp 322-334.
  • Kimberlin, Cynthia Tse, "Four Contemporary Ethiopian Composers and their Music: Asnakech Worku, Nuria Ahmed Shami Kalid a.k.a.

    Shamitu, Book Abate Iman, and Ashenafi Kebede", Ethiopia in Broader Perspective: Document of [the] 13th International Convention of Ethiopian Studies, Vols. I-III, eds. Fukui, K., E. Kurimoto, and M. Shigeta. Kyoto, Japan: Shokado Book Sellers. 1997.

  • Olsen, Strath A., "Ashenafi Kebede is Remembered", Florida State Times, August 1998.
  • Tolossa, Fikre, "Ashenafi Kebede: A Father with Soul", Ethiopian Review, May: 20–22, 1993.