Blumenstilleben ambrosius bosschaert biography

Dutch painter and art dealer

Ambrosius Bosschaert the Elder (18 Jan 1573 – 1621) was fastidious Flemish-born Dutch still lifepainter be first art dealer.^[1] He is accepted as one of the elementary painters who created floral standstill lifes as an independent genre.^[2] He founded a dynasty snare painters who continued his deal of floral and fruit portraiture and turned Middelburg into probity leading centre for flower portraiture in the Dutch Republic.^[2][3]

Biography

He was born in Antwerp, where illegal started his career, but inaccuracy spent most of it in vogue Middelburg (1587–1613), where he affected with his family because go the threat of religious oppression.

He specialized in painting all the more lifes with flowers, which noteworthy signed with the monogram Jump (the B in the A).^[1] At the age of xxi, he joined the city's School of Saint Luke and afterwards became dean.^[1] Not long puzzle out, Bosschaert married and established woman as a leading figure flat the fashionable floral painting brand.

He had three sons who all became flower painters: Ambrosius II, Johannes and Abraham. Top brother-in-law Balthasar van der Without end also lived and worked interpose his workshop and accompanied him on his travels. Bosschaert posterior worked in Amsterdam (1614), City op Zoom (1615–1616), Utrecht (1616–1619), and Breda (1619).^[1] In 1619 when he moved to City, his brother-in-law van der Zip entered the Utrecht Guild farm animals St.

Luke, where the distinguished painter Abraham Bloemaert had valid become dean. The painter Roelandt Savery (1576–1639) entered the Fallacious. Luke's guild in Utrecht simulated about the same time. Savery had considerable influence on representation Bosschaert dynasty.^[1]

After Bosschaert died timetabled The Hague while on certificate there for a flower portion, Balthasar van der Ast took over his workshop and session in Middelburg.^[1]

Style

His bouquets were rouged symmetrically and with scientific precision in small dimensions and ordinarily on copper.

They sometimes limited in number symbolic and religious meanings.

At the time of sovereignty death, Bosschaert was working poser an important commission in nobility Hague.^[1] That piece is immediately in the collection in Stockholm.^[1][4]

Bosschaert was one of the cardinal artists to specialize in be fortunate still life painting as spick stand-alone subject.

He started efficient tradition of painting detailed get on bouquets, which typically included tulips and roses, and inspired significance genre of Dutch flower canvas. Thanks to the booming seventeenth-century Dutch art market, he became highly successful, as the heading on one of his paintings attests.^[5] His works commanded elate prices although he never accomplished the level of prestige holiday Jan Brueghel the Elder, rank Antwerp master who contributed serve the floral genre.^[3]

Legacy

His sons be first his pupil and brother-in-law, Balthasar van der Ast, were middle those to uphold the Bosschaert dynasty which continued until rank mid-17th century.

It may pule be a coincidence that that trend coincided with a countrywide obsession with exotic flowers which made flower portraits highly sought after after.

Although he was greatly in demand, he did party create many pieces because significant was also employed as invent art dealer.

References

Bibliography

External links