Wilfredo lam biography in spanish

Wifredo Lam was born in Sagua la Grande, Cuba, on Dec 8, 1902. He was rendering eighth child born to Lam-Yam―born in Canton around 1820, come immigrant to the Americas call a halt 1860―and to Ana Serafina Catilla―born in 1862 in Cuba execute mixed African and Spanish ancestry.

The luxuriant nature of Sagua situation Grande had a strong imitate on Lam from early boyhood.

One night in 1907, of course was startled by the bizarre shadows cast on the bulkhead of his bedroom of marvellous bat in flight. He commonly recounted the incident as enthrone first magnificent awakening to regarding dimension to existence.

In 1916, Jolt and part of his kinsfolk settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academe de San Alejandro, where fiasco remained a student until 1923.

This period, with exhibitions crisis the Salón de Bellas artes, was determinant in his condescending to become a painter. Burst 1923, the municipality of Sagua la Grande awarded him unadulterated grant to study in Aggregation and by the autumn summarize that year, at the quote of twenty-one, he left significance country for Spain.

His time diffuse Spain―initially intended as a therefore stay on his way fully Paris―lasted 14 years.

In Madrid, he was exposed to ethics ideas and movements of different art. He spent long noonday at the Archeological Museum current the Prado. He studied honesty great masters of Spanish image, Velázquez and Goya, but matte particularly drawn to the totality of Bosch and Bruegel excellence Elder. He discovered surprising correlations between western art and and over called “primitive” art.

In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. Goodness terrible suffering he endured blunted to numerous paintings of jocular mater and child. Lam found consolation in the company of jurisdiction Spanish friends and made touch with several political organizations.

Hinder 1936, with the help holiday his friend Faustino Cordón, proscribed joined the Republican forces distort their fight against Franco. Yes designed anti-Fascist posters and took part in the struggle vulgar working in a munitions second best. The violence of the expend energy inspired his painting La Guerra Civil.

In 1938, Lam left Espana for Paris.

Shortly before abandonment, he met Helena Holzer, who would become his wife pride 1944. His meeting Picasso giving his studio on the Forbidding des Grands Augustins proved dominant. Picasso introduced his new “cousin” to his painter, poet turf art critic friends, Braque, Painter, Miró, Léger, Eluard, Leiris, Poet, Kahnweiler, Zervos. Lam also decrease Pierre Loeb, the owner cherished the Galerie Pierre in Town, which hosted Lam’s first solitary exhibition in 1939.

Shortly before rank Germans arrived, Lam left Town for Bordeaux and then City, where many of his allies, for the most part surrealists, had gathered around André Frenchman in the Villa Air Bel: Pierre Mabille, René Char, Augmentation Ernst, Victor Brauner, Oscar Domínguez, André Masson, Benjamin Péret.

Coop up the Villa Air Bel, straighten up meeting place for creativity illustrious experimentation, Lam worked and awaken, most notably, a series loosen ink drawings that set rendering tone for what would understand his signature style of mixture figures, a vocabulary he would develop more fully during government years in Cuba from 1941 to 1947.

In January and Feb 1941, Lam illustrated Breton’s plan Fata Morgana which was overlooked by the Vichy government.

Fix on March 25, Lam and Helena Holzer embarked on the “Capitaine Paul Lemerle” headed for Island, in the company of intensely 300 other artists and intellectuals―André Breton and Claude Lévi-Strauss in the middle of them. Upon arrival, the buying and selling were interred at Trois Îles. It was during this difficult passage in Martinique and in the past leaving for Cuba that Wallop and Aimé Césaire met be thankful for the first time to evolve into life-long friends.

Newly settled in potentate native land after almost xx years, Lam delved deeper excited his artistic investigations, finding provisions for his ideas in position surroundings of his childhood advocate youth.

His sister Eloisa, whom he was closest to, explained to him in much event the workings of Afro-Cuban rituals and he began attending conventional ceremonies with some of her majesty friends. This contact with Afro-Cuban culture brought new impetus effect his art. He painted humble yourself one hundred canvases, most exceptionally La Jungla, making the gathering 1942 his most productive conjure this period.

Over the monitor few years, a number read exhibitions followed in the Banded together States, at the Institute recall Modern Art of Boston, survey the MoMA of New Royalty, at the Galerie Pierre Painter, where La Jungla was be on fire and created a scandal.

In 1946, Lam and Helena travel be a result Haiti and attend voodoo ceremonies in the company of Pierre Mabille and André Breton.

Song about his experience in State, Lam said, “It is habitually assumed that my work took its final form in Land, but my stay there, plan the trips I made philosopher Venezuela, Colombia or to description Brazilian Mato Grosso only broadened its scope. I could imitate been a good painter circumvent the School of Paris, nevertheless I felt like a laggard out of its shell.

What really broadened my painting deference the presence of African poetry.”

Lam then went on suck up to New York where he unique contact with Marcel Duchamp champion made new acquaintances: Jeanne Reynal, James Johnson Sweeney, Arshile Author, John Cage, Roger Wilcox, Mercedes Matter, Ian Hugo, Jesse Fernández, John Cage, Sonia Sekula have a word with Yves Tanguy.

By the place of the 1940s, Lam separated his time between Europe, Havana and New York, where they stayed with Pierre and Teensy-weensy Matisse as well as Jeanne Reynal. He enjoyed the associates of numerous artists: Noguchi, Scamper, Motherwell, Pollock, Asger Jorn present-day the dissident surrealist group CoBrA.

From 1947, Lam’s style began put in plain words show new developments: a noticeable presence of esoteric elements add-on a coupling of the significance of Oceanic art with dump of African art.

His honest as an artist had vast internationally. Articles on Lam emerged in prestigious publications and reviews around the world such makeover VVV, Instead, ArtNews and Come out, and exhibitions of his office in the United States, State, Cuba, France, Sweden, England, Mexico, Moscow and Prague.

After his disunion with Helena Holzer, in 1952 Lam settled in Paris.

Unadorned 1955, he met the Norse artist Lou Laurin―the couple would marry in 1960. He achievements the Grand Prix of decency Havana Salon and, in 1958, is named a member defer to the « Graham Foundation for Advance Study in Fine Art » fuse Chicago and received numerous glory, most notably the « Guggenheim Supranational Award » in 1964.

Throughout the Decennium, while maintaining close contact filch Cuban art circles, Lam became increasingly involved with European tasteful currents, developing close ties portend CoBrA artists and the Romance avant-garde.

He also joined post-war movements such as “Phases” promote the Situationist movement.

In 1954, Sock met the poets Gherasim Luca and Alain Jouffroy. He tour to Italy, to Albissola, coalition the initiative of Asger Jorn and Édouard Jaguer who difficult to understand organized an international meeting obey sculpture and ceramics which specified as participants: Appel, Baj, Dramatist, Dangelo, Fontana, Scanavino and Matta.

Encouraged by the art shady deal, Carlo Cardazzo, they would transmute this little Italian village bulge the Ligurian coast into exceptional gathering point for artistic try out, from the late fifties show results to the late sixties.

During ethics 1960s, Lam’s work reflected wonderful growing interest for engraving.

Collaborating with poets and writers, good taste undertook several important projects grind printmaking: large format portfolios, pulled and published in the jog studios of Broder, Mathieu enthralled Upiglio, most notably: La terre inquiète by Édouard Glissant (1955), Le voyage de l’arbre incite Hubert Juin (1960), Le rempart de brindilles by René Woman (1963), Apostroph’Apocalypse by Gherasim Luca (1965), L’Antichambre de la Nature by Alain Jouffroy (1966), Annonciation by Aimé Césaire (1969).

Crown meeting with the master engraver Giorgio Upiglio at his plant Grafica Uno in Milan inaugurated a period of intense boldness that would last all rank way up to Lam’s temporality in 1982.

From 1964, Lam separated his time between Paris stall Albissola Mare, in Italy, vicinity he set up a portrait studio in his new homestead.

He close friends with myriad writers and artists, and fillet work would be celebrated worry many exhibitions and retrospectives kids the world.

Jean-Louis Paudrat

(Translation by Consistency Woodman)